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Linda Friedman Schmidt

  • Home
  • Artwork
    • Human Rights
    • Identity
    • Memories
    • Emotion
    • Empowerment
    • Unity in Diversity
  • Information
    • CV
    • Artist Statement
    • Short Bio
    • Life Story
    • News
  • Blog
  • Contact
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The Emptiness, 2024, discarded clothing, yarn, thread, wood box, 26 x 20 x 2.5 in

Empty discarded clothing remembers and tells stories.

Clothed and Fed, 2018, discarded clothing, 20 x 20 inches

Digesting memories of a traumatic childhood through a transformative artistic process.

Implausible Applause, 2006, discarded clothing, tinted gesso background, 40 x 48 in

An autobiographical artwork about a child who was not applauded for her authentic self.

The Lesson, 2021, discarded clothing, felt, notebook, 48 x 32 in

Remembering the male teacher who repurposed his jacket to hide the stains & saved me from the social cruelty of classmates

Push, 2010, discarded clothing, 20 x 33 inches

The artist reveals herself in the other’s image; she chooses to tell us about her own life though the depiction of others.

My Own Two Feet, 2013, discarded clothing, 46 x 36 inches

It is difficult to walk away from a narrative that has been handed down through the generations.

Fear of Moving Forward, 2011, discarded clothing, 49 x 38 in

A figurative artwork wrestles with duality and the twined difficulties of looking back and moving forward.

Ridicule, 2012, discarded clothing, 22 x 21 in

The viewer becomes the object, or the victim.

Prisoner of Childhood, 2007, discarded clothing, 26 x 18 in

A traumatic childhood leaves lifelong scars.

Mother Me, 2006, discarded clothing and blankets, 44 x 40 inches

Textiles that reference protection, nurturing, and other motherly attributes serve as a vehicle for art evoking the pain of a child longing for love.

Mother Earth Connection, 2007, discarded clothing, 30 x 26 in

A posthumous memorial portrait

Sustenance From Strangers, self portrait, 2010, discarded clothing and home textiles, 36 x 33 in

An artwork that alludes to the wet nurse the artist had in infancy, a nameless stranger who became part of the fabric of her life.

Can't Reach the Joy, 2000, discarded clothing, 40 x 35 in

Art commemorates experience.

Stifled Sisters, 2000, discarded clothing, 58 x 38 inches

Beauty and suffering coexist in a portrait of stiff sad sisters reminiscent of children in folk art paintings.

Seeking Life's Sweetness, 2004, discarded clothing and plastic bags, 35 x 42 in

Junk textiles and plastic waste are the media used to create art about overstuffed lives, overconsumption of junk food.

Ben (Woe is He), 2003, discarded clothing, 11 x 9 inches

A portrait of the artist's father at age 85 examines psychological trauma and the aggressor-victim archetype.

The Emptiness, 2024, discarded clothing, yarn, thread, wood box, 26 x 20 x 2.5 in

Empty discarded clothing remembers and tells stories.

Clothed and Fed, 2018, discarded clothing, 20 x 20 inches

Digesting memories of a traumatic childhood through a transformative artistic process.

Implausible Applause, 2006, discarded clothing, tinted gesso background, 40 x 48 in

An autobiographical artwork about a child who was not applauded for her authentic self.

The Lesson, 2021, discarded clothing, felt, notebook, 48 x 32 in

Remembering the male teacher who repurposed his jacket to hide the stains & saved me from the social cruelty of classmates

Push, 2010, discarded clothing, 20 x 33 inches

The artist reveals herself in the other’s image; she chooses to tell us about her own life though the depiction of others.

My Own Two Feet, 2013, discarded clothing, 46 x 36 inches

It is difficult to walk away from a narrative that has been handed down through the generations.

Fear of Moving Forward, 2011, discarded clothing, 49 x 38 in

A figurative artwork wrestles with duality and the twined difficulties of looking back and moving forward.

Ridicule, 2012, discarded clothing, 22 x 21 in

The viewer becomes the object, or the victim.

Prisoner of Childhood, 2007, discarded clothing, 26 x 18 in

A traumatic childhood leaves lifelong scars.

Mother Me, 2006, discarded clothing and blankets, 44 x 40 inches

Textiles that reference protection, nurturing, and other motherly attributes serve as a vehicle for art evoking the pain of a child longing for love.

Mother Earth Connection, 2007, discarded clothing, 30 x 26 in

A posthumous memorial portrait

Sustenance From Strangers, self portrait, 2010, discarded clothing and home textiles, 36 x 33 in

An artwork that alludes to the wet nurse the artist had in infancy, a nameless stranger who became part of the fabric of her life.

Can't Reach the Joy, 2000, discarded clothing, 40 x 35 in

Art commemorates experience.

Stifled Sisters, 2000, discarded clothing, 58 x 38 inches

Beauty and suffering coexist in a portrait of stiff sad sisters reminiscent of children in folk art paintings.

Seeking Life's Sweetness, 2004, discarded clothing and plastic bags, 35 x 42 in

Junk textiles and plastic waste are the media used to create art about overstuffed lives, overconsumption of junk food.

Ben (Woe is He), 2003, discarded clothing, 11 x 9 inches

A portrait of the artist's father at age 85 examines psychological trauma and the aggressor-victim archetype.

Artwork created with discarded clothing retains the energy, memories, and feelings of former wearers. Linda Friedman Schmidt's art is permeated with autobiographical memories, particularly memories of her childhood.
Copyright © 2026 Linda Friedman Schmidt. All Rights Reserved.